From a metal blank to a coin
A coin’s image can begin as an engraving in a tool rather than on the coin itself. In medieval hand-striking, a metal blank sat between two dies and a hammer blow transferred their designs, leaving traces of a process less uniform than modern minting.
Questions you could explore
- How do the dies, blank, and strike contribute to the finished coin?
Start reading
- Royal Mint MuseumHand striking
The Royal Mint Museum describes the tools and sequence used in historical hand-striking.
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